Brad Husk
My pots are hand thrown, textured and fired in a wood fueled Manabigama kiln to cone 10 – 12 (2400F). The finished pieces are durable and designed for everyday use. The flames and melted wood ash glaze lend the pots a rustic stone-like appearance – mirroring the rich colors of nature.
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David Hergesheimer
I was seduced by clay in college but it was in Japan several years later – thanks to excellent teachers and a 7-year apprenticeship – that clay became my life work. For 40 years, with my wife Keiko, clay has been our life, our dreams, the texture of our existence. Clay has molded us.
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Evelyn LaMers
I took my first ceramics course in college and after graduation in 1969, opened my own pottery studio. Being able to make a living as a potter is due in no small part to my 47-year membership in Yellow Springs Pottery. My work has been for sale here year round and in an attractive setting. The co-op has also provided great friendship and support.
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Jane Hockensmith-Reich
My pottery career started in 1984 and I have been a member of Yellow Springs Pottery since 1989. I also enjoy playing guitar with friends and hiking in Glen Helen with my husband, dog and parrot!
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Janet Murie
My earliest memories of pottery are of noticing the form of a pitcher in my childhood home. Color, form and functionality are of interest to me in my work.
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Jerry Davis
My fifty-year career as a potter started in 1969. My current work focuses on growing glaze crystals on my hand-thrown porcelain pieces, giving each piece a life of its own.
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Kate Lally
My appreciation for nature inspires the designs for my art work. I enjoy finding ways to simplify natural objects by making bold and graphic depictions of foliage, flowers, animals and insects. My terra cotta tiles are then decorated with a wax resist drawing and the glazes pooled into the open spaces. Once fired, the wax burns away leaving the terra cotta line drawing.
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Michele Dutcher
For over 35 years, I have enjoyed making stoneware pottery that is visually and tactilely appealing for everyday handling. I use both glazes and colored clay to color my pots. I like thinking that someone who buys my work will want to have it on display when not in use.
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Noah Faler
My journey in ceramics began with an elective course that led me down a path of artistic diversity. Today, I create pottery in my Spring Valley, Ohio studio and teach wheel fundamentals at The Fitton Center for Creative Arts. My evolving, freestyle work, displayed at The Contemporary Dayton, features marbled clay, sgraffito, and organic patterns—functional serve ware that transcends its utility with home goods to match.
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